Showing posts with label Christopher Buckley. Show all posts
Showing posts with label Christopher Buckley. Show all posts

Monday, January 4, 2010

Synopsis - request feedback

These are exciting times. As mentioned in my last blog, I will submit my new manuscript to the first of two contests over the weekend. I would appreciate any feedback to the synopsis which I have pasted below. Feel free to critique in the comments below or by email to alshalev at bigfoot dotcom.

It is also exciting to see that people are picking up Oilspill dotcom in its e-book format from both Smashwords and Scribd. The world of e-book is accelerating and I am so happy to be part of this wave. If you have read the book, please post a review on these sites and also Goodreads if you hang out there.

To all who follow my blog and my progress as an author - Happy New Year - I appreciate all your support and encouragement.
Alon
http://www.alonshalev.com/

Unwanted Heroes (80,000 words)

Unwanted Heroes (80,000 words)

Good coffee, vintage wine and the magic of San Francisco bring together an elderly, battle weary Chinese American war vet and an idealistic and pretentious young Englishman. But when repressed memories suddenly surface, they discover a more dangerous commonality where the key to release for each of them lies in an unlikely partnership.

Will Taylor finds employment as a barista at The Daily Grind in the Financial District of San Francisco and is inspired to write his breakout novel. Walking the streets of Kerouac and Ginsberg, Taylor discovers a beautiful city and cutting edge culture alongside the harsh underbelly of American society.

When his boss suddenly disappears, Will unravels an injustice he must try and help rectify before he loses his friends, his sanity and love. He needs all the help he can find and all the allies he can muster. A homeless professor, precariously balanced between intellectual pinnacles and mental abyss, offers advice and contacts. Taylor's Goth girlfriend initiates him into the West Coast counter culture, while her Nob Hill father digs up his own military nightmares to help another haunted soldier in desperate straits.

The unique culture of San Francisco lends itself to the comical aspects of the novel, offset in a rollercoaster of emotions where comic follows tragic. When Will meets his Goth girlfriend's parents for dinner at their home on Nob Hill, the only conversation piece he can offer is teaching them to toast in twelve languages. In the ensuing abrupt scene change, he is frantically searching a military graveyard at night, looking for his boss who has suddenly disappeared without his medication.

Unwanted Heroes confronts the issue of homelessness and, in particular, American war veterans who could never readjust into society. This novel is a tribute to a beautiful, unique and quirky city and its people, and yet highlights those who sacrificed so much to keep it and America free.

As such, Unwanted Heroes fits into a genre of novels written by authors who want to effect change in the world. Erin Brockovich, The Rainmaker, A Civil Action and The Appeal, are comparable works in this respect. In addition, the humorous scenes reflect the influence of Christopher Buckley and Christopher Moore.

But above all, Unwanted Heroes is a story of injustice, friendship and romance, as seen through the eyes of a struggling young writer from across the Atlantic, who brings more baggage than just his shiny laptop and romantic ideals.

Friday, December 26, 2008

Over Eggnog - Networking for Blurbs

For the past few weeks, I have been trying to find famous people willing to give me a one-liner for the back cover of Oilspill dotcom. It is called a blurb and is immensely important as the browser in the bookstore, attracted by the cover, will then turn the book over for a quick description of the story and to see who likes it. This is all about credibility, but challenging when you’ve only been in the country a few years, without many contacts.

I have emailed a number of requests to local radio hosts and journalists. Richard Wolinsky, from KPFA’s Cover-to-Cover, has generously offered to read a galley proof. I have sent a request to Christopher Buckley (Thank You For Smoking, No Way To Treat A First Lady, Florence of Arabia, Boomsday and Little Green Men).

An aside -- I fantasize being interviewed on Jon Stewart’s The Daily Show, my favorite TV show, though I always thought he never interviewed fiction authors. Ironically, I am wrong, and this is how I discovered the immensely talented and hilarious Buckley.

I also emailed Erin Brockovich, who famously stood up to a multinational corporation in court. I am excited about hearing anything from her. Who knows?

Do you have anyone who springs to mind that I could approach such as an author, a media person, a political advocate? If so, please ask them if I can drop them an email. Keep me in mind when you schmooze over eggnog at your holiday parties.

Thanks for your help,

Good Writing,

Alon

Saturday, December 6, 2008

"Own It, Then Let It Go."

It is late Friday night. I am driving home on the freeways and bridges that take me around San Francisco and over to the East Bay. I am tired. Physically it has been a long day. But more than this, I am tired mentally. This morning, for the first time in months, I sat down to write, to advance my book, be a writer … and I gave up.

Work is tough, plummeted by the economic downturn, but this is not the reason. I have shared with you my waves of doubts with regard to Oilspill dotcom: the title of my book, UK .v. US English, dialects etc.

There has been a burst of sunlight in this dark, cloudy week. My editor from England, Alison Walters read my blog, my frustrations and has kindly offered to help me finish the conversion from UK to US.

And now, driving home in the dark, I am listening to Writing Down the Bones, read by the author, Natalie Goldberg. Though her book galvanized me eight years ago, I am finding it tough to follow her voice reading and commentating. This is a tough judgment as I am comparing her to the actors and actresses that narrate audio books, utilizing their talents and professional experience to perfect each individual character (listen to Carrington MacDuffie reading Christopher Buckley’s Florence of Arabia – how do they not have Oscars for such performances!).

But it is tough to hear Ms. Goldberg, especially when you are tired, especially when you are cruising along the freeway. Just as I come off of the Bay Bridge, I see a mass of flashing lights: police, ambulances and tow trucks. The accident clears the tired fog from my mind and I hear a sentence from my audio book.

“Own it … and then let it go,” says Ms. Goldberg.

If I’m honest, I’m not sure what she’s actually referring to. But inside, I understand with clarity that she is talking to me. And she is telling me why I got stuck this morning; why I sat paralyzed before the computer screen.

I must let it go. I have finished.

When Alison returns my manuscript, I will accept her corrections and submit the manuscript.

Then I will move on: to the book cover, the reviews and blurbs, the plans for the launch. And I will allow myself to write again. Perhaps my next novel, Lost Heroes, perhaps something else.

But I will finish with Oilspill dotcom: cast it into the hands of the publisher. Let the manuscript become the book. I have done all I can. I own it. Now it is time to let it go.

Thank you, Natalie Goldberg.